Performing 10x10, a piece about one ascending and one descending sheppard tone which octave bands are visually reflected by horizontal and vertical lines. All parameters are tweaked live through code, and the performance tries to explore the capabilities of sheppard tones beyond the static wall of sound and instead introduce rhythm to it.
The second performance is a remixed version of Soll und Ist Zustand, which tries to disrupt the normatives of datasets by distorting the visual representation of label and example, supported by an aggressive, bassy drone sound which turns into a more disrupted rhythm based sound.